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Cascone, The Aesthetics of Failure

The tendrils of digital technology have in some way touched everyone. With electronic com-merce now a natural part of the business fabric of the Western world and Hollywood cranking out digital fluff by the gigabyte, the medium of digital technology holds less fascination for composers in and of itself. In this article, I will emphasize that the medium is no longer the message; rather, specific tools themselves have become the message.